Street Theatre
Grade | Work Samples |
---|---|
End of Stage 5 (end of Year 10) | |
Grade C | Lee |
Description of activity
Each group collaborates to research, devise and perform a 2 to 3-minute street theatre performance to the class in an outhoor space, using a range of appropriate techniques and conventions of street theatre. the students will demonstrate the chosen protest theme and create a desired dramatic intention and meaning for an intended audience.
Context
this activity occurs midway through the unit, monitoring progress and process and developing students’ knowledge, skills and understanding of the dramatic form of street theatre.
the making, teaching and learning activities establish some of the conventions of street theatre and protest theatre. Students choose an issue about which they wish to protest, research this issue and develop some structures using the conventions of street theatre. they focus on the use of visual imagery, props and performance conventions in the development of a piece of street theatre to be performed in a selected outhoor venue to an intended audience at the end of the unit.
Areas for Assessment
Outcomes
Making | A student: |
5.1.4 |
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Performing | A student: |
5.2.1 |
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5.2.2 |
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5.2.3 |
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Appreciating | A student: |
5.3.1 |
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5.3.2 |
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Criteria for assessing learning
(these criteria would normally be communicated to students with the activity.)
Assessment will be based on the work of the individual in each group.
Students will be assessed on their ability to:
- create an intended meaning for an audience using the dramatic techniques and theatrical conventions of street theatre such as:
- music, musical instruments, sound
- colour, large-scale visual imagery, symbols
- props, banners, signs and slogans
- use of levels and space
- repetition of dialogue, chanting, chorus
- use acting and performance techniques appropriate to the dramatic form of street theatre with an awareness of the relationship developed between performer and audience, including such techniques as:
- vocal and physicalisation skills
- realistic and abstract movements
- confidence and focus in an outhoor performance space
- selection and use of appropriate performance space, production elements and technologies to communicate a clear dramatic intention, in the form of a protest, to an intended audience.